Live+7 data is currently available only through May 5, but the top dogs will likely see little change once the final numbers are in for the traditional September-May season. The top gainer in adults 18-49 was NBC’s “This Is Us” with an average lift of 1.8 ratings points. The number two spot was a tie between CBS’ “Big Bang Theory” and NBC’s “Manifest,” with both of those shows adding 1.5 ratings points on average. These numbers do not include “Big Bang Theory’s” series finale, however, which pulled in a 3.1 rating and 18 million viewers in Live+Same Day alone on May 16.
I agree with Jeff. The finale was hardly “perfect”. I thought they took the safest route possible; and there were only a few good laughs. Some of it was predictable; winning the Nobel and fixing the elevator. The prize ceremony wasn’t even particularly interesting. Having each friend stand and be recognized at a Nobel ceremony seemed way of place…even for Sheldon. The writers were obviously struggling this last season for new material , and the finale was no exception. I still think Raj should have ended up with ‘someone’, as they felt the need to pair everyone else off during the series. (Even Stuart got a girl.). All in all, I found the finale wanting. I thought going in that I might burn it to DVD as an episode to keep to watch again. I’ll pass.
Sheldon's mother Mary refuses to attend his wedding unless he invites his older brother George, with whom he is no longer speaking. Sheldon and Leonard fly to Texas to talk to George, who now owns a chain of tire stores. He refuses to attend and later explains to Leonard and Sheldon that the family sacrificed a lot to fund Sheldon's education, and he was stuck caring for their mother and sister Missy after their father died while Sheldon was in college. Sheldon never thanked him for this. Leonard takes George back to the hotel room where Sheldon apologizes for what he did and the brothers reconcile. George agrees to attend the wedding. Meanwhile, Howard and Bernadette's children contract pinkeye, infecting everyone except Penny, much to Amy's fury.
^ "Editor's Note: With final Monday ratings in, The Big Bang Theory has now reached a new series high in viewers (16.32m) and was the night's top program in adults 18-49 (5.9/15), up a tenth from this morning. -- "Two and a Half Men" Soars to Its Best Adult 18-49 Rating in Three Years". CBS. March 9, 2010. Archived from the original on January 8, 2014. Retrieved January 5, 2013.
^ Jump up to: a b Kondolojy, Amanda (October 12, 2014). "'Gotham' Has Biggest Adults 18–49 Ratings Increase; 'Gotham' & 'Red Band Society' Top Percentage Gains & 'How To Get Away With Murder' Tops Viewer Gains in Live +7 Ratings for Week Ending September 28". TV by the Numbers. Archived from the original on October 16, 2014. Retrieved October 13, 2014.
With all due respect to all of the Sheldon’s out there who can cite episode titles, describing the episode is a LOT more helpful that calling it out by name. I can quote my favorite line/scene from your post (Are they bouncing more than usual,) but “Mike’s” post above is a lot less memory provoking. What was “The Donation Oscillation” about? I can extrapolate MOST of the episodes from the title, but not all. Kudos to those with memories like Sheldon’s, but my bet is far fewer fans can describe an episode by season and title than they can by “The one where James Earl Jones and Sheldon ding dong ditch Carrie Fisher.” :)
The Canadian alternative rock band Barenaked Ladies wrote and recorded the show's theme song, which describes the history and formation of the universe and the Earth. Co-lead singer Ed Robertson was asked by Lorre and Prady to write a theme song for the show after the producers attended one of the band's concerts in Los Angeles. By coincidence, Robertson had recently read Simon Singh's book Big Bang, and at the concert improvised a freestyle rap about the origins of the universe. Lorre and Prady phoned him shortly thereafter and asked him to write the theme song. Having been asked to write songs for other films and shows, but ending up being rejected because producers favored songs by other artists, Robertson agreed to write the theme only after learning that Lorre and Prady had not asked anyone else.
By season seven, Galecki, Parsons, and Cuoco were also receiving 0.25% of the series' back-end money. Before production began on the eighth season, the three plus Helberg and Nayyar, looked to renegotiate new contracts, with Galecki, Parsons, and Cuoco seeking around $1 million per episode, as well as more back-end money. Contracts were signed in the beginning of August 2014, giving the three principal actors an estimated $1 million per episode for three years, with the possibility to extend for a fourth year. The deals also include larger pieces of the show, signing bonuses, production deals, and advances towards the back-end. Helberg and Nayyar were also able to renegotiate their contracts, giving them a per-episode pay in the "mid-six-figure range", up from around $100,000 per episode they each received in years prior. The duo, who were looking to have salary parity with Parsons, Galecki, and Cuoco, signed their contracts after the studio and producers threatened to write the characters out of the series if a deal could not be reached before the start of production on season eight. By season 10, Helberg and Nayyar reached the $1 million per episode parity with Parsons, Galecki, and Cuoco, due to a clause in their deals signed in 2014.