Bert asks for Sheldon's help in a geology research project relating to dark matter. Sheldon secretly agrees, but is too embarrassed to admit he is working with rocks. Bert finds out about this and ends their partnership. After talking with Amy, Sheldon goes to apologize, only to find Leonard has taken his place. Meanwhile, Raj runs into Ruchi again and goes out with her, but she does not believe in romantic love. After Howard and Bernadette tell Raj that he can just have sex with Ruchi, he agrees to keep it casual.
In the show, the song "Soft Kitty" was described by Sheldon as a song sung by his mother when he was ill. Its repeated use in the series popularized the song. A scene depicting the origin of the song in Sheldon's childhood is depicted in an episode of Young Sheldon, which aired on February 1, 2018. It shows Sheldon's mother Mary singing the song to her son, who is suffering with the flu.
Anu wants to have sex with Raj, but he gets so nervous in the leadup, that his selective mutism returns. Confessing to her, she is very understanding, revealing an unusual secret of her own. The next morning, he is able to have sex with her in the shower. Sheldon attempts to bond with his father-in-law, but Larry is more impressed with Howard's magic tricks, causing a jealous Sheldon to spend time with Mrs. Fowler. They bond after finding out Amy has been using Sheldon as an excuse to avoid her mother, though he does gently advise her to forgive her daughter like he would his wife. A remorseful Amy invites the Fowlers over for thanksgiving, where Sheldon and Mrs. Fowler continue to bond over Larry's ineptitude with magic.
"Big Bang" thrived with the addition of new characters, including scientists Amy (Bialik) and Bernadette (Rauch) and comic-book-store owner Stuart (Kevin Sussman), says Helberg, part of the original cast with Galecki, Parsons, Cuoco and Nayyar. (The show eventually spawned a hit prequel spinoff, "Young Sheldon," which heads into its third season in the fall, most likely in the "Big Bang" time slot.)
Producers, writers and others, including recurring guest star Wil Wheaton, joined the festivities on set and — hardly a spoiler alert — more laughing, crying and hugging ensued. Lorre embraced a happy Parsons, then moved on to each cast member as if it were a reception line. Galecki shared long, emotional hugs with his colleagues. After trying to keep their emotions under control for so long, it was finally time to just let go.
I had never heard of Jim Parsons until I watched BBT but, his performance as Sheldon Cooper should be recognized as one of the greatest in TV history and the individual responsible for casting him should be considered a genius. Jim was born to play Sheldon. No other actor could’ve owned this character the way he did. I hope he continues to share his talent with audiences in other ways!
I agree with Jeff. The finale was hardly “perfect”. I thought they took the safest route possible; and there were only a few good laughs. Some of it was predictable; winning the Nobel and fixing the elevator. The prize ceremony wasn’t even particularly interesting. Having each friend stand and be recognized at a Nobel ceremony seemed way of place…even for Sheldon. The writers were obviously struggling this last season for new material , and the finale was no exception. I still think Raj should have ended up with ‘someone’, as they felt the need to pair everyone else off during the series. (Even Stuart got a girl.). All in all, I found the finale wanting. I thought going in that I might burn it to DVD as an episode to keep to watch again. I’ll pass.
“I was there the moment when Leonard and Penny met. He said to me that their babies would be smart and beautiful. And now that they’re expecting, I have no doubt that that will be the case,” Sheldon says, accidentally revealing the baby news even before Penny’s parents know. “I apologize if I haven’t been the friend that you deserve. But I want you to know, in my way, I love you all.”
By season seven, Galecki, Parsons, and Cuoco were also receiving 0.25% of the series' back-end money. Before production began on the eighth season, the three plus Helberg and Nayyar, looked to renegotiate new contracts, with Galecki, Parsons, and Cuoco seeking around $1 million per episode, as well as more back-end money. Contracts were signed in the beginning of August 2014, giving the three principal actors an estimated $1 million per episode for three years, with the possibility to extend for a fourth year. The deals also include larger pieces of the show, signing bonuses, production deals, and advances towards the back-end. Helberg and Nayyar were also able to renegotiate their contracts, giving them a per-episode pay in the "mid-six-figure range", up from around $100,000 per episode they each received in years prior. The duo, who were looking to have salary parity with Parsons, Galecki, and Cuoco, signed their contracts after the studio and producers threatened to write the characters out of the series if a deal could not be reached before the start of production on season eight. By season 10, Helberg and Nayyar reached the $1 million per episode parity with Parsons, Galecki, and Cuoco, due to a clause in their deals signed in 2014.