The first and second pilots of The Big Bang Theory were directed by James Burrows, who did not continue with the show. The reworked second pilot led to a 13-episode order by CBS on May 14, 2007. Prior to its airing on CBS, the pilot episode was distributed on iTunes free of charge. The show premiered on September 24, 2007, and was picked up for a full 22-episode season on October 19, 2007. The show is filmed in front of a live audience, and is produced by Warner Bros. Television and Chuck Lorre Productions. Production was halted on November 6, 2007, due to the Writers Guild of America strike. Nearly three months later, on February 4, 2008, the series was temporarily replaced by a short-lived sitcom, Welcome to The Captain. The series returned on March 17, 2008, in an earlier time slot and ultimately only 17 episodes were produced for the first season.
With all due respect to all of the Sheldon’s out there who can cite episode titles, describing the episode is a LOT more helpful that calling it out by name. I can quote my favorite line/scene from your post (Are they bouncing more than usual,) but “Mike’s” post above is a lot less memory provoking. What was “The Donation Oscillation” about? I can extrapolate MOST of the episodes from the title, but not all. Kudos to those with memories like Sheldon’s, but my bet is far fewer fans can describe an episode by season and title than they can by “The one where James Earl Jones and Sheldon ding dong ditch Carrie Fisher.” :)
In the apartment building where Sheldon, Leonard and Penny (and later Amy) live, the elevator has been out of order throughout most of the series, forcing characters to have to use the stairs. Stairway conversations between characters occur in almost every episode, often serving as a transition between longer scenes. The Season 3 episode, "The Staircase Implementation" reveals that the elevator was broken when Leonard was experimenting with rocket fuel. In the penultimate episode of the series, the elevator is returned to an operational state, causing Sheldon some angst.
By season seven, Galecki, Parsons, and Cuoco were also receiving 0.25% of the series' back-end money. Before production began on the eighth season, the three plus Helberg and Nayyar, looked to renegotiate new contracts, with Galecki, Parsons, and Cuoco seeking around $1 million per episode, as well as more back-end money. Contracts were signed in the beginning of August 2014, giving the three principal actors an estimated $1 million per episode for three years, with the possibility to extend for a fourth year. The deals also include larger pieces of the show, signing bonuses, production deals, and advances towards the back-end. Helberg and Nayyar were also able to renegotiate their contracts, giving them a per-episode pay in the "mid-six-figure range", up from around $100,000 per episode they each received in years prior. The duo, who were looking to have salary parity with Parsons, Galecki, and Cuoco, signed their contracts after the studio and producers threatened to write the characters out of the series if a deal could not be reached before the start of production on season eight. By season 10, Helberg and Nayyar reached the $1 million per episode parity with Parsons, Galecki, and Cuoco, due to a clause in their deals signed in 2014.
When Leonard receives a braggy Christmas letter from his brother, he feels bad about how little he and Penny have achieved in the past year. Leonard wonders if he and Penny should be thinking about the next step after two years of marriage, like buying a house or having a baby. Penny tells him she wants to do all those things someday, but she has a bunch of stuff she would like to do first.